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>IN BODY > Guilherme Miotto


photo: Vincent

Guilherme Miotto

I have been for the past six years teaching my own method 'Instinctive Performance' in Holland at the Fontys Dance Academy in Tilburg and at the Theatre Academy in Maastricht. I have as well being invited to administer workshops at: Atelier de Paris, OperaEstate Festival, Edinburgh Festival amongst others.

I have been awarded for my choreographic work in 2011 with: the Grand Prix of Kontrapunkt, The Magnolia Award Szczecin, Poland and with the Best Film for Camera Rework Award, Cinedans Film Festival Amsterdam, The Netherlands.

In 2013: I have created the piece 'AsGone' for the Dansgroup Amsterdam in collaboration with the American composer Joel Ryan and Belgium scenographer/video artist Peter Missotten. I have as well in collaboration with dancer/choreographer Johnny Lloyd and performer/composer Henk Bakker created the performance ‘UNPUNISHED’ for the Festival Cadance in The Hage. UNPUNISHED has been shown in four different countries in 2013. Other productions I have signed in 2013 were: Sluts of Possession for the Edinburgh Fringe Festival, Myth Again for the Gallery Roodkapje in Rotterdam, Minus for the Fricties Festival in Hasselt (Belgium) and Übermensch in collaboration with Boy Jonkergouw for the Cultuurnacht in Tilburg.

In 2014 my foundation (Bodies Anonymous) and partners have started the second edition of the project UNPUNISHED YOUTH. UNPUNISHED YOUTH is a coaching pacour whereby youngsters from different backgrounds are brought together with professional artists. Every edition is coupled with a stage production from Bodies Anonymous. The second edition of UNPUNISHED YOUTH relates to the stage production 'Gefallen' which features multi award winner B boy Menno van Gorp and the Dutch chamber music composer Daan Manneke.


'takes the audience by the throat' Brabants Dagblad

'extremely strong' Danspubliek

'glamorous mix of dance and humble falling images' Volkskrant

'full of beautiful visual discoveries' Het Parool

'invades consciousness through its physicality and mesmeric power' The Skinny

'a physical tour de force' The Guardian


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photo: Oona Lurås Wiggan